Monday, October 20, 2003

Saw Royston Tan's 15 yesterday, albeit the censored version. The cuts were pointless -- songs with gang names and a scene with a penis were deleted when the movie had an R(A) rating slapped on it anyway. Yah, like Singaporeans above the age of 21 would actually want to be like the kids in the movie. The pointless censorship makes me wonder: were the censors and the police rep who wanted the song change sitting on chairs or on thin metal poles?

Beyond the hype (the censorship, the fact that Tan's crew had to each contribute $20 to pay for the last roll of film 'cos he was that broke), the movie isn't great. Very good or excellent -- certainly. The best film since Eric Khoo's 12 Storeys -- maybe. But not the best since, I dunno, City of God or something.

Can't say anything about the acting since they were all amateurs and playing themselves, essentially. Erick Chun deserves special mention though. The film itself suffers a little from being a bit unfocused, imho, with no real direction to the selection of scenes (Was this the intended effect? Hmm). In addition, where are the females?

15 has plenty going for it, other than sheer chutzpah. The camera techniques are well-executed, the humour is deliciously morbid and off-kilter (the "looking for a place to die" sequence is brilliant!) and the songs add flavour and irony. Most importantly, Tan manages to make what could have easily degenerated into another episode of Crime Watch, into a sensitive but unsentimental study of troubled male youth in contemporary Singapore. Tan refocuses on the topic of troubled teens through the lens of interpersonal relationships instead of filtering it through the local "secret society" problem here, and he does it well. The result is an excellent local film with universal appeal.

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