Monday, November 03, 2003

Went to see one of the movies in the 19th Singapore French Film Festival. Specifically, Balzac and the Little Chinese Seamstress (Balzac et la petite tailleuse chinoise), based on the novel of the same name by Dai Sijie. The movie doesn't deal with the Cultural Revolution beyond using it as a setting anyway (don't know if the novel does this), so don't fall into the same trap I did :)

Although set during the Cultural Revolution period, the movie is probably best seen as a coming-of-age tale for all three young protagonists. In that respect it's not too bad. The movie is let down by quite a few things.

Certain scenes looked contrived. The dental operation is probably the most obvious, with the Rube Goldberg-esque jury-rigged dental drill and an overall treatment lacking in any sensitivity.

The leads were competent, but there was little chemistry among them. At the best of times the relationship felt too cool for them to be good friends, even towards the end (btw, I would have picked male actors that can be easily differentiated from each other without using clothing -- half the time I couldn't figure out which actor was doing what).

As for the chauvinism, I admit that I may have been a little oversensitive. Allow me to say at least that to me the movie seemed to depict the mountain villagers with few redeeming qualities, while attributing all praise to the Western liberal tradition exemplified here by.... of course, Balzac and the French literary giants. Perhaps I am giving too much attention to these quotes though, because you could make a case for them being ironic rather than serving a pedagogical function.

Still, it was interesting to listen to a Chinese (ok, Chinese-French in this case) film where Beijing pronunciation doesn't dominate, and the ending sequence is imaginative and poignant. Breathtaking mountain scenery is always a plus as well.

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